Tuesday, 3 January 2017
Storyboards
These are the storyboards I composed to help give me a firm idea as to what I will be doing on the day of filming to prevent me from getting stuck or losing inspiration. Excuse my poor artistic skills.
Monday, 2 January 2017
Final Prop List
List of Props and Required Equipment
For my opening sequence, I plan to use an array of props to help construct the mise-en-scene and therefore establish the post-apocalyptic setting and genre. Furthermore, certain props will be used as visual prompts for the audience to identify something about the character's nature. I will also list equipment I will need during production. In-depth detailing on the character's costumes and why they are wearing them can be found here.
Props
For my opening sequence, I plan to use an array of props to help construct the mise-en-scene and therefore establish the post-apocalyptic setting and genre. Furthermore, certain props will be used as visual prompts for the audience to identify something about the character's nature. I will also list equipment I will need during production. In-depth detailing on the character's costumes and why they are wearing them can be found here.
Props
- Animal Skulls - I will use animal skulls to place in my location and casually position in-shot to make them look as though they are naturally part of the environment. This is a way of constructing the mise-en-scene and depicting a post-apocalyptic wasteland by showing how death, destruction and ultimately decay has taken place. I will ask the actors to act as though the skulls aren't there so the characters don't seem phased by them, this will hint to the audience how this is how the world is, establishing its difference from our contemporary world. I have acquired these props from the Biology department at my friend's college after having asked around if anyone, by any chance, had any animal skulls/fake skulls available to borrow.
- Gas Mask - Gas masks are a common part of the iconography of the post-apocalyptic genre, so this is another effective method of assembling the mise-en-scene and establishing the genre to the audience. Furthermore, it implies some form of history to the 'apocalypse' that would require some measure of protection against contamination, eg. nuclear fallout etc. This, therefore, aids the exposition. Furthermore, it suggests something about the character: it shows that he's cautious as he takes measures to ensure his safety, even when he wants to kill himself. I believe pairing these contrasting ideas together reflects on the idea of human instinct, a subtle theme in the opening of my film. Conveniently, somebody I know has a gas mask available to borrow for filming.
- Rucksack - Given the fact the protagonist is surviving in the wild, I thought it would be realistic that he had a rucksack of supplies, otherwise, the idea of the characters survival would not be very convincing. Furthermore, I thought it would reflect on his resourceful nature as it suggests he has scavenged these items after the 'apocalypse'. It is also a realistic method of carrying other props, such as the gun or the gas mask. The actor playing the protagonist has a backpack available to use for filming.
- Gun - This gun will obviously be the device the protagonist attempts to kill himself with. I believe the gun itself represents the characters struggles and grief, as when the dog, representing hope, comes along he puts the gun down, therefore foreshadowing how he will accept his loss and move on from his grief. Guns are appropriate in post-apocalyptic films as they often include violence and weapons. The gun will also reflect on the character's cautiousness as he is suggested to be quite a passive character, yet the fact that he still carries a gun shows how he does want to maintain his safety. It also creates irony when he wants to use a device that would have been used for his own safety to kill himself with. My actor has a gun prop I can use for filming, although, it does have a red cap and I will have to take this into consideration when framing the shots.
- Hand-Made Weapon - In the flashback scene, a blunt, stick-shaped, hand made weapon will be used to kill the protagonist's former partner. I was originally going to use a baseball bat, however, I thought using a handmade weapon was more appropriate for a post-apocalyptic film as the characters would have had to have been resourceful. Furthermore, I think it reflects the character's bloodthirsty nature if he went out of his way to make a weapon, signifying his priorities. The actor starring in the role of the protagonist has a blunt, handmade weapon used for previous projects that we can use during filming.
Equipment
- DSLR Camera
- Tripod
- SD Card
- Dog Treats
Monday, 26 December 2016
Final Locations
Final Locations
Out of the selection of different locations I have considered for each scene of the film opening, I have chosen the final locations based on the pros and cons I listed in my initial locations post.
Forest Scene
I have chosen to base the majority of my opening sequence in a forest. This is the most appropriate location for the following reasons: firstly, it connotes peace. Although the film is set in a post-apocalyptic setting, I still wanted to maintain an element of peace to the film - this is because the character has gone to a peaceful place to die to make the moment seem more beautiful and emotional as opposed to tense and unsettling, therefore using a peaceful location is appropriate. Furthermore, despite the peaceful connotations of the forest, I still wanted to resemble a dead/overgrown and untended to world so it would suit the post-apocalyptic theme. Using a forest in this time of year will certainly be very brown, bare and dead, which will resemble a wasteland on camera if paired with the right mise-en-scene conditions for definite. Another reason a forest is a good location is because it is enclosed - this creates a sense of security because it is not open and the characters are, therefore, not exposed to potential predators. This heightens the peacefulness of the location. On the contrary, the enclosed nature of the location can connote suffocation, which may represent the character's feeling of weight and burden because of his past. Lastly, the natural setting is extremely appropriate because the character is at his barest which could be reflected through the use of a natural environment. Furthermore, depicting the character in a natural environment links to the idea of human instinct, which is one of the themes in the opening to my film.
Thetford Forest, Thetford, Norfolk
Justification For Use:
The reasons for which I have chosen to film in Thetford Forest for the majority of the shots are the following: firstly, it's local to me and therefore is convenient because it's easier and faster to get to. Another reason is the fact that it's large and includes diverse terrain, meaning I have a range of different areas to work with when choosing where to frame my shots. Moreover, the fact that it is large is convenient because it means that I am less likely to encounter other people, especially if I avoid footpaths, and therefore this will prevent the disruption of filming. It's a very remote forest meaning there will be no traffic, towns or any sign of civilisation in the background which is appropriate for the post-apocalyptic theme of my film. Another reason this location is suitable is because of the actual type of forest itself and how it looks. Because it contains pine trees and vegetation that endures winter very well, the branches won't look completely bare and therefore extraordinarily ugly on footage - particularly in any sharp footage.Moreover, any vegetation that was green will now be brown as it's winter, which is exactly what I had in mind as brown, sombre tones is a conventional style in post-apocalyptic films. Furthermore, despite the forest being very deep, it can be quite sparse in areas, which will, therefore, let a lot of natural light in. This is a nice look because not only is it very aesthetically pleasing it also will prevent the footage from being too dark or too noisy. The sparse areas will be useful when manoeuvring and trying to achieve perfects shots without objects getting in the way.
How Does This Location Help Construct The Mise-en-Scene?
This location helps construct the mise-en-scene because it contains dense vegetation that is browned and overgrown. The brown tones and untended-to-look are synonymous with the post-apocalyptic iconography and therefore helps assemble a mise-en-scene that establishes the genre to the audience through only visual prompts. Furthermore, the setting helps the audience understand things about the character, for example, the fact that the character is against a natural backdrop reflects on the idea of him being in his barest, most exposed and natural state - he's at his lowest and is most vulnerable.
Back-Up Location
In the off chance that Thetford Forest becomes unavailable for whatever reason, I have selected a more convenient location to use as a back-up.
Wayland Wood, Watton, Norfolk
Justification for Use (as back-up):
The main reason I have selected Wayland Wood as a backup location is because out of the selection of forests I had considered to begin with Wayland Wood was the most convenient as it's the closest to me and my actors and can, if need be, be accessed by foot. Although it differs from Thetford Forest greatly, there are some areas within the forest that contain similar types of vegetation that could potentially create a similar look to Thetford forest, which is the perfect look for simulating a post-apocalyptic world when paired with the right mise-en-scene conditions. This location is appropriate because it's remote, meaning towns and industrial noises are unlikely to be in the background.
Flashback and Opening Scene
Because the location I have selected is so large and varied looking throughout the building, I have decided to use it for both of these scenes as this is most convenient and it still will look like two separate locations because of the diverse nature of the building. I have chosen to use a derelict building for these scenes because derelict buildings are a conventional setting within the post-apocalyptic genre. Moreover, I feel that the destroyed, abandoned and distressed look to the building will reflect on how broken and depressed the character is when we meet him, as this will be the first place the audience sees him. During the flashback sequences, this is an effective location to use because it has a very distressed look which links with the depressing nature of the scene.
Old Wartime Building, Watton, Norfolk
Justification For Use:
Out of the selection of different locations I have considered for each scene of the film opening, I have chosen the final locations based on the pros and cons I listed in my initial locations post.
Forest Scene
I have chosen to base the majority of my opening sequence in a forest. This is the most appropriate location for the following reasons: firstly, it connotes peace. Although the film is set in a post-apocalyptic setting, I still wanted to maintain an element of peace to the film - this is because the character has gone to a peaceful place to die to make the moment seem more beautiful and emotional as opposed to tense and unsettling, therefore using a peaceful location is appropriate. Furthermore, despite the peaceful connotations of the forest, I still wanted to resemble a dead/overgrown and untended to world so it would suit the post-apocalyptic theme. Using a forest in this time of year will certainly be very brown, bare and dead, which will resemble a wasteland on camera if paired with the right mise-en-scene conditions for definite. Another reason a forest is a good location is because it is enclosed - this creates a sense of security because it is not open and the characters are, therefore, not exposed to potential predators. This heightens the peacefulness of the location. On the contrary, the enclosed nature of the location can connote suffocation, which may represent the character's feeling of weight and burden because of his past. Lastly, the natural setting is extremely appropriate because the character is at his barest which could be reflected through the use of a natural environment. Furthermore, depicting the character in a natural environment links to the idea of human instinct, which is one of the themes in the opening to my film.
Thetford Forest, Thetford, Norfolk
 |
| Thetford Forest during this time of the year. |
The reasons for which I have chosen to film in Thetford Forest for the majority of the shots are the following: firstly, it's local to me and therefore is convenient because it's easier and faster to get to. Another reason is the fact that it's large and includes diverse terrain, meaning I have a range of different areas to work with when choosing where to frame my shots. Moreover, the fact that it is large is convenient because it means that I am less likely to encounter other people, especially if I avoid footpaths, and therefore this will prevent the disruption of filming. It's a very remote forest meaning there will be no traffic, towns or any sign of civilisation in the background which is appropriate for the post-apocalyptic theme of my film. Another reason this location is suitable is because of the actual type of forest itself and how it looks. Because it contains pine trees and vegetation that endures winter very well, the branches won't look completely bare and therefore extraordinarily ugly on footage - particularly in any sharp footage.Moreover, any vegetation that was green will now be brown as it's winter, which is exactly what I had in mind as brown, sombre tones is a conventional style in post-apocalyptic films. Furthermore, despite the forest being very deep, it can be quite sparse in areas, which will, therefore, let a lot of natural light in. This is a nice look because not only is it very aesthetically pleasing it also will prevent the footage from being too dark or too noisy. The sparse areas will be useful when manoeuvring and trying to achieve perfects shots without objects getting in the way.
How Does This Location Help Construct The Mise-en-Scene?
This location helps construct the mise-en-scene because it contains dense vegetation that is browned and overgrown. The brown tones and untended-to-look are synonymous with the post-apocalyptic iconography and therefore helps assemble a mise-en-scene that establishes the genre to the audience through only visual prompts. Furthermore, the setting helps the audience understand things about the character, for example, the fact that the character is against a natural backdrop reflects on the idea of him being in his barest, most exposed and natural state - he's at his lowest and is most vulnerable.
Back-Up Location
In the off chance that Thetford Forest becomes unavailable for whatever reason, I have selected a more convenient location to use as a back-up.
Wayland Wood, Watton, Norfolk
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| Wayland Wood in the sunlight |
The main reason I have selected Wayland Wood as a backup location is because out of the selection of forests I had considered to begin with Wayland Wood was the most convenient as it's the closest to me and my actors and can, if need be, be accessed by foot. Although it differs from Thetford Forest greatly, there are some areas within the forest that contain similar types of vegetation that could potentially create a similar look to Thetford forest, which is the perfect look for simulating a post-apocalyptic world when paired with the right mise-en-scene conditions. This location is appropriate because it's remote, meaning towns and industrial noises are unlikely to be in the background.
Flashback and Opening Scene
Because the location I have selected is so large and varied looking throughout the building, I have decided to use it for both of these scenes as this is most convenient and it still will look like two separate locations because of the diverse nature of the building. I have chosen to use a derelict building for these scenes because derelict buildings are a conventional setting within the post-apocalyptic genre. Moreover, I feel that the destroyed, abandoned and distressed look to the building will reflect on how broken and depressed the character is when we meet him, as this will be the first place the audience sees him. During the flashback sequences, this is an effective location to use because it has a very distressed look which links with the depressing nature of the scene.
Old Wartime Building, Watton, Norfolk
Justification For Use:
This location is suitable because it looks destroyed and abandoned, which will really suit the post-apocalyptic genre. It fulfils all the purposes to an abandoned building: it can be entered through multiple entrances and looks rundown without using other methods to establish the fact it is an abandoned building. Despite no artificial lighting, the building is very well lit through random windows and holes in the walls and roof. This will improve the footage because it assures it isn't too grainy or indistinguishable. Furthermore, the grey walls cancel out any liveliness that too much sunlight will produce, and therefore is very fitting because it doesn't look too happy but at the same time isn't too scary looking either. It corresponds with the broken theme. Another reason why this location is suitable is because it's very local: within walking distance. This is very convenient. It has a military vibe which suits the post-apocalyptic theme. It's also a particularly large building and therefore produces a range of precise places to film in.
How Does This Location Help Construct the Mise-en-Scene?
This location helps construct the mise-en-scene because it helps establish the post-apocalyptic setting. This is because derelict building are key features in post-apocalyptic iconography and therefore help establish the genre to the audience. Moreover, it reflects on the state of mind of the character is in through its distressed appeal.
Back-Up Locations
If I am unable to get to the desired location, I have planned two other back-up locations I can use for each scene. The reason I have prepared two is because they're both very small locations and therefore will not appear as separate settings in the two different scenes.
Flashback Scene:
Corrugated Steel Fences, Griston, Norfolk
Justification For Use (as backup)
The main reason I have chosen this location as a fallback is because it's very convenient as it's a minute's walk from my house. It's also easily accessible as there's nothing blocking off the entrance and it's a part of the recreational grounds so nobody is forbidden to enter the segment of land. Secondly, it's not in use and isn't a target of any interest by anyone so nobody will walk by and disrupt the filming or cause a distraction, especially as it's almost unnoticeable next to the recreational park. Another reason this location is good to use is because it's very overgrown and therefore looks like the setting to the post-apocalyptic genre, despite it not being the derelict building style I had in mind. Its corrugated steel fencing is reminiscent of the military which is a common part to the iconography that makes up the post-apocalyptic genre.
Beginning Scene
Abandoned Chapel, Griston, Norfolk
The main reason I chose this location as a backup is because it's extraordinarily convenient as it's less than a 2 minutes walk from my house, therefore no transport would need to be required and hauling the equipment wouldn't be too much of a hassle.This location is suitable because it looks abandoned: it has smashed windows, boarded up doors and ivy growing all around it so it will suit the post-apocalyptic genre. Furthermore, it's connection with God and religion would be interesting to play on in the film as it suggests a history of civilisation that has now been evidently destroyed, adding subtly to the exposition. Another advantage to this location would be the fact that it's hidden away on a residential road so nobody is likely to walk past and interrupt filming as it's a quiet village. It's also not on private land and therefore wouldn't put me at risk for being asked to leave if we choose to film here.
Saturday, 24 December 2016
Final Characters and Casting
Final Cast and Character Profiles
Character A - Protagonist
This is the final character profile for the protagonist in my film opening, to read the justification for each title in this profile, click here.
Name: Unnamed
Age: Young Adult
Profession: 'Survivor'
Likes: Safety, peace, his former partner, animals, the world-how-it-used to-be
Dislikes: Being alone, other survivors/threatening survivors, the world-in-its-state, his life
History: A portion of the character's history is revealed in the opening two minutes, however slowly I think throughout the rest of the film the remainder of his history will be unravelled. For the portion the audience sees in the opening sequence, we find out that he had someone very close to him, assumedly his partner, though this isn't made explicit, is murdered brutally by another survivor. The protagonist either escaped or was left for dead, somehow surviving. Prior to this, he spent his time surviving/scavenging with his partner until he encountered the group of bloodthirsty looters which lead to his downfall. Before the 'apocalypse' he lived a rather average lifestyle in an urban environment. Whether he met his partner after the 'apocalypse' or before is undecided.
Traits: Resourceful, agile, strong, emotional, strong-willed, empathetic, hopeful, bitter, cautious
Three Words To Describe Them: Exhausted, Isolated, Broken
Cast
After putting together a list of actors who were willing to portray the protagonist, I have created a list of pros and cons of using each actor, which you can read here. Out of these actors, I have chosen Elliott Gillespie to portray the protagonist.
Elliott Gillespie
Age: 16 Years Old
Profession: College Student
Justification For Cast Choice:
The reasons I have selected Elliott to play the role of the protagonist are the following: firstly, I know that he's a talented actor as I have worked with him on a previous practice project - he will adapt to the role well. Secondly, he lives nearby me, therefore, getting to the locations together will be convenient. I know him well so working together won't be awkward and I will feel comfortable directing him and he will feel comfortable being directed by me, he will also act naturally because he is comfortable around me. He knows the other cast members relatively well, too, so will be comfortable and act naturally around them. He's comfortable with close-ups of his face which will allow much more freedom when framing my shots.
Costume
The costume worn by the protagonist will be quite scruffy looking to make it look like he's been living in the outdoors for a long while. Using green and brown, earthy tones will look most appropriate as these colours are associated with nature and post-apocalyptic settings, so using these tones will help construct the mise-en-scene.
Black T-Shirt &
Black Trousers/Jeans - The reason I have selected for the protagonist to wear black clothing is to reflect on his emotional state - he's in a constant state of depression and dark colours are a good way to represent this as darker tones are associated with more negative connotations. Furthermore, although it's not set in our common society, I wanted to reflect on the idea that he is in mourning, as people in mourning wear black. Furthermore, using colourful clothing will look out of place in a post-apocalyptic setting. Moreover, I thought that wearing dark colours underneath green represents his situation: he's among nature in a peaceful setting (represented through the coat) and he himself feels down and depressed (represented through the coat). I will acquire these through the actor as he has these items of clothing which is convenient because they'll fit him and can be easily sourced.
Khaki Parka Coat - Using a coat helps add to the survivor image as, obviously, a survivor is resourceful (as is the protagonist) and would, therefore, find ways in keeping warm in their environment. The reason the coat will be a khaki green is because the colours are associated with nature and a post-apocalyptic setting and would, therefore, fit with the theme of the film. Another reason green is a good choice in colour is because it camouflages with his natural backdrop, this reflects his cautious nature. I will acquire this through the actor as he has this item of clothing which is convenient because it'll fit him and can be easily sourced.
Brown Walking Boots - Walking boots are an appropriate choice in costume because they're most realistic. After all, a person surviving in the wild wouldn't be wearing shoes that cannot protect their feet or cause discomfort. The reason they are brown is because brown is an earthy/sombre colour which is associated with post-apocalyptic settings and therefore adds to the iconography. The walking boots are mildly scuffed, this will reflect on how long he has been surviving in the wilderness. Moreover, it represents all that he has endured, both physically and mentally and reflects on his broken image. I will acquire these through the actor as he has them which is convenient because they'll fit him and can be easily sourced.
Fingerless Gloves - The reason I have chosen fingerless gloves is because they add to the rugged image of the protagonist. Moreover, they reflect on his resourceful nature because they serve as warmth as well as practicality. I will acquire these through the actor as he has them of clothing which is convenient because they'll fit him and can be easily sourced.
Brown Scarf - This will reflect on his resourceful nature as it keeps the character warm in the environment in which he is in. The brown tones suit the post-apocalyptic setting but are also used as camouflage, further reinforcing his resourcefulness. I will acquire this through the actor as he has this which is convenient because it'll fit and can be easily sourced.
Green Gas Mask - Gas masks are a very distinguishable part of post-apocalyptic iconography so this helps establish the genre to the audience. Furthermore, it suggests some sort of history behind the 'apocalypse' in my film, therefore aiding the exposition. It, again, reflects on the characters resourcefulness and cautious nature as he tries to maintain his safety. To acquire this, I have asked my friends and family if they have one available to borrow. Conveniently, my friend did. If they did not have one then I would have acquired one from online.
Knee Pads - the reason the character is wearing knee pads is to reflect his cautious nature and like of safety as he goes to subtle measures to maintain his safety. The actor has a pair of knee pads which we can use.
Character B - Female Victim (deceased)
Name: Unnamed
Age: Young Adult
Profession: 'Survivor'
Likes: the protagonist, animals
Dislikes: violence, murder
History: Before her death, she spent her time surviving with the protagonist. They pretty much share a history.
Traits: Empathetic, sympathetic, kind, passive, patient, resourceful, happy
Three Words To Describe Them: optimistic, loyal, passive
Cast
Out of the selection of actresses that said they were willing to perform the role, I have chosen Beth Precious.
Bethany Precious
Age: 17 Years Old
Profession: College Student
Justification of Casting Choice:
The reason I have chosen Beth to portray the role of the female victim is because she's good at being directed on camera. Furthermore, she's comfortable on camera and knows the other actors and myself very well, meaning she can act naturally around us. She's comfortable with having close-ups being captured of her which gives more freedom and she lives conveniently close to me, meaning travelling won't be too much of an issue.
Costume
Only the upper half of the character will be seen on camera, however, I have created a full costume plan on the off-chance that plans change.
Green Knitted Jumper - Green is a colour associated with the post-apocalyptic genre so employing this colour will help construct the mise-en-scene and make the genre identifiable to the audience. This colour is also associated with nature, which I wanted to use to represent how she's one with nature and her love of animals. I already have a green knitted jumper Beth can borrow on the day of filming.
Black Trousers - black is a dark colour and won't stand out too much, if a brighter colour is used it won't be suitable for a post-apocalyptic film as this is not a conventional colour. Beth has a pair of black trousers she can wear, this is convenient because they're easily acquirable and will definitely fit her.
Black Hiking Boots - This shows she is one with nature too as hiking boots are associated with nature. Moreover, they're realistic shoes to be wearing in a post-apocalyptic environment. Beth owns a pair of hiking boots that she can wear on the day of filming.
Character C - Murderer
Name: Unnamed
Age: Adult
Profession: 'survivor'/'looter/bandit'
Likes: Stealing, violence, murder
Dislikes: people who fight back, those who don't obey/submit to him, threats
History: This character grew to suit the rugged lifestyle of surviving and soon became the leader of a gang of looters/bandits, the power grew to his head and his sanity is now questioned.
Traits: manipulative, violent, shameless, unsympathetic, hateful
Three Words To Describe Them: unlawful, intimidating, bloodthirsty
Cast
Out of the actors who said they were willing to be a part of the production, I have chose Rowan Knights to portray the bandit depicted in the flashback. Rowan doesn't need to bare many similarities to what I had in mind as only a fraction of his body will be in shot. This being said, on the off-chance that plans change I will dress him in an appropriate costume/makeup to make him look the part.
Rowan Knights
Age: 17 Years Old
Profession: College Student
Justification of Casting Choice:
I have chosen Rowan to take on the role because he is very good at acting aggressive and psychotic, which is perfect for the character (if I choose to add the character properly into the story). Furthermore, he lives nearby which is highly convenient when getting to locations. He also has some experience in acting so I know he can adapt to roles well.
Costume
This character does not feature heavily in the opening two minutes, however, I have put together a full costume list, just in case I change plans on set.
Large Black Coat - The reason for a coat is to conceal the character to make them seem less open and honest, reflecting on their nature. Furthermore, black is often associated with evil and darkness correlating with the character himself. I have an oversized black coat in which Rowan can wear on the day of filming.
Black T-Shirt - Using dark colours again plays on the idea of evilness. Rowan has a black t-shirt he can wear for filming.
Dark Jeans - Wearing dark trousers really reflects on his dark and evil image, making the audience feel intimidated by him. Wearing dark clothing doesn't stand out either, which is appropriate in a post-apocalyptic film as bright, vivid colours is not conventional. Rowan has a pair of jeans he can wear for filming.
Black Hiking Boots - hiking boots are appropriate in a post-apocalyptic setting as they're realistic. Moreover, the colour continues to reflect on the nature of the character. Rowan has a pair of boots he can wear for filming.
Character D - The Dog
Name: Unnamed
Age: Approximately 2 Years Old (by appearance)
Profession: Guard dog
Likes: the protagonist, friendly humans, food, playing
Dislikes: threats, violent/threatening survivors
History: The dog was born after the 'apocalypse' as he's quite young, he was socialised and raised by kind humans which is why he has a fondness of the protagonist. His previous (or current, depending on the direction of the film) owner is a kind old secluded man. He was either killed by looters or lives in his own setup, where the dog may lead the protagonist.
Traits: Carefree, gentle, happy, hyperactive, protective, agile, impatient
Three Words To Describe Them: Happy-go-lucky, innocent, loyal
Cast
Out of the selection of dogs I considered for the role, I have selected Riot to portray the role, as he won the obedience test.
Riot
Age: 1 Year Old
Breed: Australian Shepherd
Justification of Casting Choice:
The reason I chose Riot for the role is because he shares the same personality with the character: happy, carefree, goofy etc. This is important because dogs have no concept of acting and therefore cannot pretend to be this way. Furthermore, he is the most obedient of the dogs considered so this will make the filming process a lot easier. Another factor is the fact that Riot is a very striking looking dog and will look good on camera. He is roughly the same size I had in mind when creating the character.
"Costume"
Riot, as a dog, won't be wearing a costume for the project. This being said, I have considered whether to groom him neatly. On one hand, he's in a post-apocalyptic environment so being neatly groomed won't be realistic. On the other hand, I would like to groom him as he will look bright and out of place which is the intended look because he represents hope. Furthermore, the fact he is groomed nicely begs the question... how? Does he have an owner to do so? This creates mystery and questions in the audience, making them more inclined to watch on and find out.
Character A - Protagonist
This is the final character profile for the protagonist in my film opening, to read the justification for each title in this profile, click here.
Name: Unnamed
Age: Young Adult
Profession: 'Survivor'
Likes: Safety, peace, his former partner, animals, the world-how-it-used to-be
Dislikes: Being alone, other survivors/threatening survivors, the world-in-its-state, his life
History: A portion of the character's history is revealed in the opening two minutes, however slowly I think throughout the rest of the film the remainder of his history will be unravelled. For the portion the audience sees in the opening sequence, we find out that he had someone very close to him, assumedly his partner, though this isn't made explicit, is murdered brutally by another survivor. The protagonist either escaped or was left for dead, somehow surviving. Prior to this, he spent his time surviving/scavenging with his partner until he encountered the group of bloodthirsty looters which lead to his downfall. Before the 'apocalypse' he lived a rather average lifestyle in an urban environment. Whether he met his partner after the 'apocalypse' or before is undecided.
Traits: Resourceful, agile, strong, emotional, strong-willed, empathetic, hopeful, bitter, cautious
Three Words To Describe Them: Exhausted, Isolated, Broken
Cast
After putting together a list of actors who were willing to portray the protagonist, I have created a list of pros and cons of using each actor, which you can read here. Out of these actors, I have chosen Elliott Gillespie to portray the protagonist.
Elliott Gillespie
Age: 16 Years Old
Profession: College Student
 |
| Headshot of Elliott Gillespie |
Justification For Cast Choice:
The reasons I have selected Elliott to play the role of the protagonist are the following: firstly, I know that he's a talented actor as I have worked with him on a previous practice project - he will adapt to the role well. Secondly, he lives nearby me, therefore, getting to the locations together will be convenient. I know him well so working together won't be awkward and I will feel comfortable directing him and he will feel comfortable being directed by me, he will also act naturally because he is comfortable around me. He knows the other cast members relatively well, too, so will be comfortable and act naturally around them. He's comfortable with close-ups of his face which will allow much more freedom when framing my shots.
Costume
The costume worn by the protagonist will be quite scruffy looking to make it look like he's been living in the outdoors for a long while. Using green and brown, earthy tones will look most appropriate as these colours are associated with nature and post-apocalyptic settings, so using these tones will help construct the mise-en-scene.
Black T-Shirt &
Black Trousers/Jeans - The reason I have selected for the protagonist to wear black clothing is to reflect on his emotional state - he's in a constant state of depression and dark colours are a good way to represent this as darker tones are associated with more negative connotations. Furthermore, although it's not set in our common society, I wanted to reflect on the idea that he is in mourning, as people in mourning wear black. Furthermore, using colourful clothing will look out of place in a post-apocalyptic setting. Moreover, I thought that wearing dark colours underneath green represents his situation: he's among nature in a peaceful setting (represented through the coat) and he himself feels down and depressed (represented through the coat). I will acquire these through the actor as he has these items of clothing which is convenient because they'll fit him and can be easily sourced.
Khaki Parka Coat - Using a coat helps add to the survivor image as, obviously, a survivor is resourceful (as is the protagonist) and would, therefore, find ways in keeping warm in their environment. The reason the coat will be a khaki green is because the colours are associated with nature and a post-apocalyptic setting and would, therefore, fit with the theme of the film. Another reason green is a good choice in colour is because it camouflages with his natural backdrop, this reflects his cautious nature. I will acquire this through the actor as he has this item of clothing which is convenient because it'll fit him and can be easily sourced.
Brown Walking Boots - Walking boots are an appropriate choice in costume because they're most realistic. After all, a person surviving in the wild wouldn't be wearing shoes that cannot protect their feet or cause discomfort. The reason they are brown is because brown is an earthy/sombre colour which is associated with post-apocalyptic settings and therefore adds to the iconography. The walking boots are mildly scuffed, this will reflect on how long he has been surviving in the wilderness. Moreover, it represents all that he has endured, both physically and mentally and reflects on his broken image. I will acquire these through the actor as he has them which is convenient because they'll fit him and can be easily sourced.
Fingerless Gloves - The reason I have chosen fingerless gloves is because they add to the rugged image of the protagonist. Moreover, they reflect on his resourceful nature because they serve as warmth as well as practicality. I will acquire these through the actor as he has them of clothing which is convenient because they'll fit him and can be easily sourced.
Brown Scarf - This will reflect on his resourceful nature as it keeps the character warm in the environment in which he is in. The brown tones suit the post-apocalyptic setting but are also used as camouflage, further reinforcing his resourcefulness. I will acquire this through the actor as he has this which is convenient because it'll fit and can be easily sourced.
Green Gas Mask - Gas masks are a very distinguishable part of post-apocalyptic iconography so this helps establish the genre to the audience. Furthermore, it suggests some sort of history behind the 'apocalypse' in my film, therefore aiding the exposition. It, again, reflects on the characters resourcefulness and cautious nature as he tries to maintain his safety. To acquire this, I have asked my friends and family if they have one available to borrow. Conveniently, my friend did. If they did not have one then I would have acquired one from online.
Knee Pads - the reason the character is wearing knee pads is to reflect his cautious nature and like of safety as he goes to subtle measures to maintain his safety. The actor has a pair of knee pads which we can use.
Character B - Female Victim (deceased)
Name: Unnamed
Age: Young Adult
Profession: 'Survivor'
Likes: the protagonist, animals
Dislikes: violence, murder
History: Before her death, she spent her time surviving with the protagonist. They pretty much share a history.
Traits: Empathetic, sympathetic, kind, passive, patient, resourceful, happy
Three Words To Describe Them: optimistic, loyal, passive
Cast
Out of the selection of actresses that said they were willing to perform the role, I have chosen Beth Precious.
Bethany Precious
Age: 17 Years Old
Profession: College Student
 |
| Headshot of Beth Precious |
Justification of Casting Choice:
The reason I have chosen Beth to portray the role of the female victim is because she's good at being directed on camera. Furthermore, she's comfortable on camera and knows the other actors and myself very well, meaning she can act naturally around us. She's comfortable with having close-ups being captured of her which gives more freedom and she lives conveniently close to me, meaning travelling won't be too much of an issue.
Costume
Only the upper half of the character will be seen on camera, however, I have created a full costume plan on the off-chance that plans change.
Green Knitted Jumper - Green is a colour associated with the post-apocalyptic genre so employing this colour will help construct the mise-en-scene and make the genre identifiable to the audience. This colour is also associated with nature, which I wanted to use to represent how she's one with nature and her love of animals. I already have a green knitted jumper Beth can borrow on the day of filming.
Black Trousers - black is a dark colour and won't stand out too much, if a brighter colour is used it won't be suitable for a post-apocalyptic film as this is not a conventional colour. Beth has a pair of black trousers she can wear, this is convenient because they're easily acquirable and will definitely fit her.
Black Hiking Boots - This shows she is one with nature too as hiking boots are associated with nature. Moreover, they're realistic shoes to be wearing in a post-apocalyptic environment. Beth owns a pair of hiking boots that she can wear on the day of filming.
Character C - Murderer
Name: Unnamed
Age: Adult
Profession: 'survivor'/'looter/bandit'
Likes: Stealing, violence, murder
Dislikes: people who fight back, those who don't obey/submit to him, threats
History: This character grew to suit the rugged lifestyle of surviving and soon became the leader of a gang of looters/bandits, the power grew to his head and his sanity is now questioned.
Traits: manipulative, violent, shameless, unsympathetic, hateful
Three Words To Describe Them: unlawful, intimidating, bloodthirsty
Cast
Out of the actors who said they were willing to be a part of the production, I have chose Rowan Knights to portray the bandit depicted in the flashback. Rowan doesn't need to bare many similarities to what I had in mind as only a fraction of his body will be in shot. This being said, on the off-chance that plans change I will dress him in an appropriate costume/makeup to make him look the part.
Rowan Knights
Age: 17 Years OldProfession: College Student
Justification of Casting Choice:
I have chosen Rowan to take on the role because he is very good at acting aggressive and psychotic, which is perfect for the character (if I choose to add the character properly into the story). Furthermore, he lives nearby which is highly convenient when getting to locations. He also has some experience in acting so I know he can adapt to roles well.
Costume
This character does not feature heavily in the opening two minutes, however, I have put together a full costume list, just in case I change plans on set.
Large Black Coat - The reason for a coat is to conceal the character to make them seem less open and honest, reflecting on their nature. Furthermore, black is often associated with evil and darkness correlating with the character himself. I have an oversized black coat in which Rowan can wear on the day of filming.
Black T-Shirt - Using dark colours again plays on the idea of evilness. Rowan has a black t-shirt he can wear for filming.
Dark Jeans - Wearing dark trousers really reflects on his dark and evil image, making the audience feel intimidated by him. Wearing dark clothing doesn't stand out either, which is appropriate in a post-apocalyptic film as bright, vivid colours is not conventional. Rowan has a pair of jeans he can wear for filming.
Black Hiking Boots - hiking boots are appropriate in a post-apocalyptic setting as they're realistic. Moreover, the colour continues to reflect on the nature of the character. Rowan has a pair of boots he can wear for filming.
Character D - The Dog
Name: Unnamed
Age: Approximately 2 Years Old (by appearance)
Profession: Guard dog
Likes: the protagonist, friendly humans, food, playing
Dislikes: threats, violent/threatening survivors
History: The dog was born after the 'apocalypse' as he's quite young, he was socialised and raised by kind humans which is why he has a fondness of the protagonist. His previous (or current, depending on the direction of the film) owner is a kind old secluded man. He was either killed by looters or lives in his own setup, where the dog may lead the protagonist.
Traits: Carefree, gentle, happy, hyperactive, protective, agile, impatient
Three Words To Describe Them: Happy-go-lucky, innocent, loyal
Cast
Out of the selection of dogs I considered for the role, I have selected Riot to portray the role, as he won the obedience test.
Riot
Age: 1 Year Old
Breed: Australian Shepherd
Justification of Casting Choice:
The reason I chose Riot for the role is because he shares the same personality with the character: happy, carefree, goofy etc. This is important because dogs have no concept of acting and therefore cannot pretend to be this way. Furthermore, he is the most obedient of the dogs considered so this will make the filming process a lot easier. Another factor is the fact that Riot is a very striking looking dog and will look good on camera. He is roughly the same size I had in mind when creating the character.
"Costume"
Riot, as a dog, won't be wearing a costume for the project. This being said, I have considered whether to groom him neatly. On one hand, he's in a post-apocalyptic environment so being neatly groomed won't be realistic. On the other hand, I would like to groom him as he will look bright and out of place which is the intended look because he represents hope. Furthermore, the fact he is groomed nicely begs the question... how? Does he have an owner to do so? This creates mystery and questions in the audience, making them more inclined to watch on and find out.
Thursday, 22 December 2016
Final Script
Final Script
FINAL SCRIPT
Written By Wendy MacKinnon
BLACK SCREEN
NARRATOR:
There's no human left in any of us...
CUT TO:
MAN SLUMPED AGAINST DECAYING WALL
NARRATOR:
But then again...
CUT TO:
MAN PUTS ON GAS MASK AND GETS UP
NARRATOR:
What makes us human?
CUT TO:
MAN WALKS AWAY FROM ORIGINAL SPOT
NARRATOR:
Our morality... or instinct?
CUT TO:
VARIOUS SHOTS OF MAN WALKING THROUGH SCENERY
NARRATOR:
Have you ever felt completely alone?...
Have you ever felt broken?...
Exhausted?...
Isolated?
CUT TO:
BRIEF FLICKER OF WOMAN SCREAMING INCOHERENTLY (FLASHBACK)
CUT TO:
MAN GRABS ONTO TREE BRANCH, LOOKS DISTRESSED
NARRATOR:
Have you ever lost the person who meant everything to you?
CUT TO:
MAN FALLS TO KNEES, TAKES GAS MASK OFF REVEALING TEARY FACE
NARRATOR:
Did you watch them be taken... right before your eyes?
CUT TO:
FLASHBACK OF WOMAN ABOUT TO BE KILLED
CUT TO:
MAN PULLS OUT GUN AND HOLDS UP TO HEAD
NARRATOR:
What keeps you going when everything you have has been ripped from you?
CUT TO:
RUSTLE IN BUSHES, MAN TURNS HEAD
A DOG APPEARS, WALKS UP TO MAN AND SNIFFS HIM
NARRATOR:
Have you ever felt completely alone?
TITLE APPEARS
Monday, 19 December 2016
Dragon's Den Pitch Feedback
Feedback on Dragon's Den Pitch
This is explaining the outcome of my Dragon's Den pitch.
How Did The Pitch Go?
The pitch was relatively successful, however, I did go over the intended time (3 minutes) when creating my video, though this isn't too large a problem. Furthermore, the sound quality of the video is pretty bad so people may struggle to hear what I'm saying because there is a lot of noise in the video. I tried adding noise reduction, however it distorted my voice making the problem worse, so I left the audio as it was. There are also lots of background noises like my dog moving around and investigating the camera, however, this wasn't too much of a problem as they're not overly distracting. I managed to get across pretty much everything I needed to.
What Feedback Were You Given?
After showing my pitch to a select group of people, I received a range of feedback. Everything said was similar to what I have already been told during my audience research videos, however, I appreciated the reassurance about my idea.
Everybody claimed to like the idea, saying that it sounds very moving and emotional and therefore really suits the expectations of a drama film. Furthermore, they said that it's a very original idea that they would be intrigued to continue watching to see the relationship develop between the dog and the character and see how the character manages to cope with his hardships. They liked the fact that it in itself was a mini-story and therefore made it, as an opening, engaging. They also said that they liked that although it was engaging through its plot, it still was ambiguous enough to allow them to want to watch on to find out more.
One suggestion made, however, was to really ensure that it could be identified as a post-apocalyptic film through other visual prompts, as the environment alone isn't post-apocalyptic enough to be able to distinguish this. Furthermore, they suggested really distinguishing the difference between the flashbacks and the present day scenes so they won't get confused. I had already decided I was going to make both of these clear, but the suggestions have made me understand it fully and really prioritise it in order to make the best opening for my audience. One was also a little weary about introducing so many characters, as they believe that minimal elements in a film opening is most effective to avoid confusing the audience. I won't change this as I know that the characters will only feature very briefly.
Has This Made You More/Less Determined to Continue With Your Coursework Idea?
This has made me more determined as it was nice to receive some reassurance from people that they liked and engaged with my idea and would definitely want to watch the finished product. This reassurance has been vital, particularly as I am working alone and don't have other people helping me or telling my that my ideas are bad/good.
This is explaining the outcome of my Dragon's Den pitch.
How Did The Pitch Go?
The pitch was relatively successful, however, I did go over the intended time (3 minutes) when creating my video, though this isn't too large a problem. Furthermore, the sound quality of the video is pretty bad so people may struggle to hear what I'm saying because there is a lot of noise in the video. I tried adding noise reduction, however it distorted my voice making the problem worse, so I left the audio as it was. There are also lots of background noises like my dog moving around and investigating the camera, however, this wasn't too much of a problem as they're not overly distracting. I managed to get across pretty much everything I needed to.
What Feedback Were You Given?
After showing my pitch to a select group of people, I received a range of feedback. Everything said was similar to what I have already been told during my audience research videos, however, I appreciated the reassurance about my idea.
Everybody claimed to like the idea, saying that it sounds very moving and emotional and therefore really suits the expectations of a drama film. Furthermore, they said that it's a very original idea that they would be intrigued to continue watching to see the relationship develop between the dog and the character and see how the character manages to cope with his hardships. They liked the fact that it in itself was a mini-story and therefore made it, as an opening, engaging. They also said that they liked that although it was engaging through its plot, it still was ambiguous enough to allow them to want to watch on to find out more.
One suggestion made, however, was to really ensure that it could be identified as a post-apocalyptic film through other visual prompts, as the environment alone isn't post-apocalyptic enough to be able to distinguish this. Furthermore, they suggested really distinguishing the difference between the flashbacks and the present day scenes so they won't get confused. I had already decided I was going to make both of these clear, but the suggestions have made me understand it fully and really prioritise it in order to make the best opening for my audience. One was also a little weary about introducing so many characters, as they believe that minimal elements in a film opening is most effective to avoid confusing the audience. I won't change this as I know that the characters will only feature very briefly.
Has This Made You More/Less Determined to Continue With Your Coursework Idea?
This has made me more determined as it was nice to receive some reassurance from people that they liked and engaged with my idea and would definitely want to watch the finished product. This reassurance has been vital, particularly as I am working alone and don't have other people helping me or telling my that my ideas are bad/good.
Sunday, 18 December 2016
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